the added weight of all the years.

The real difference between youth and age is not physical, or even mental. It’s just the added weight of all the years piled up behind you. You can call it experience if you want, but having a considerable past doesn’t necessarily confer any wisdom. It just compresses time so that things that happened last week and things that happened in the mid-1980s sit side by side in your memory.

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where guilt is alive.

When you are living in a house where guilt is alive, it leaves a mark.

And when you are living in an atmosphere of daily, ever-present guilt, what does that do to children? It changes their souls.

Molly Shannon

like morning.

i think a lot about your eyes
…and how painful it is to be
in a room full of people with such
empty pockets and words that are
so heavy i cannot lift them from
the fog.

you are the greatest secret
if i could i would hold you between
my hands like morning.

Alison Malee

the unbearable.

“Our day-to-day life is bombarded with fortuities or, to be more precise, with the accidental meetings of people and events we call coincidences. “Co-incidence” means that two events unexpectedly happen at the same time, they meet: Tomas appears in the hotel restaurant at the same time the radio is playing Beethoven. We do not even notice the great majority of such coincidences. If the seat Tomas occupied had been occupied instead by the local butcher, Tereza never would have noticed that the radio was playing Beethoven… But her nascent love inflamed her sense of beauty, and she would never forget that music. Whenever she heard it, she would be touched. Everything going on around her at that moment would be haloed by the music and take on its beauty.

…Anna meets Vronsky in curious circumstances: they are at the railway station when someone is run over by a train. At the end of the novel, Anna throws herself under a train. This symmetrical composition—the same motif appears at the beginning and at the end—may seem quite “novelistic” to you, and I am willing to agree, but only on condition that you refrain from reading such notions as “fictive,” “fabricated,” and “untrue to life” into the word “novelistic.” Because human lives are composed in precisely such a fashion.

They are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven’s music, death under a train) into a motif, which then assumes a permanent place in the composition of the individual’s life. Anna could have chosen another way to take her life. But the motif of death and the railway station, unforgettably bound to the birth of love, enticed her in her hour of despair with its dark beauty. Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress.

It is wrong, then, to chide the novel for being fascinated by mysterious coincidences… but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life of a dimension of beauty.”

Milan Kundera

nada, perhaps.

…because friendship and intimacy are subjective, and there isn’t a widely used scale researchers share to define those concepts across studies. Closeness can be particularly squishy. 

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strings.

Sometimes I felt that there was something physical connecting us, a long rope that stretched between Boston and Portland: when she tugged on her end, I felt it on mine. Wherever she went, wherever I went, there it would be, that shining twined string that stretched and pulled but never broke, our every movement reminding us of what we would never have again.

Hanya Yanagihara

lobotomy.

i want to forget my life, the whole thing. i’m aware of the good times but how the brain works it’s all bad. i just want to forget them all. not starting anew no just a blackout yes that’s what i want. the blackout.

before i know how to say it.

Madisen Kuhn

the light.

Jeanette Winterson

neither.

… the overwhelming majority disliked [“childless” and “childfree”], with one being seen as stigmatising and the other gleeful and nasty in its implication that parents somehow need “liberating”.

… that’s one reason why – when absolutely necessarily – “doesn’t have children” is the kindest, most neutral descriptor we can hope for. Though we can also hope to be moving away from one’s parenting status needing to be defined at all, especially for women, who still face this question far more frequently than men. Language matters, and as ever it often says more about us and our assumptions than we realise.

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so much.

you have no idea how much.